Before you get too attached to an idea for your next spec, remember you will be investing months of work into it and repeat the following:
1. Studios are not more likely to buy my script because I think it has great sequel and franchise potential. They are more likely to buy it because it is a solid concept that is well written.
2. If I am not a novelist, I will not write my story as a novel first in order to sell it to Hollywood. It is no easier to sell a first novel than a first script.
3. Studios will not buy my script because it has a good message. They will by it because it is a solid concept that is well written.
4. The fact that I can say my idea in a single sentence does not mean it is a good idea.
5. Evil corporations are lousy bad guys.
6. The fact that it really happened does not mean it is a good idea for a movie.
7. The fact that it is “just like” a highly successful movie is not necessarily a good thing.
8. I will not come up with an idea that is just what the market is looking for. By the time I’m done writing it, the market will not be looking for it.
9. I will not write something because the top A-lead likes to play that kind of a role. The top A-lead is unlikely to see my script or select it out of the barrelfuls shoved at him/her on a daily bases.
10. I will not write a script because it is an easy no-brainer that is guaranteed to sell. There is no such thing.
The only reason to select a particular story idea for your next spec – “I really really love it.”