Why You Should Change Your Name To Sheldon

Sheldon Turner plays hard at being a screenwriter, and it shows. He is credited with the recent “Up In The Air” (a terrific script) and, according to IMDB, has more than a dozen projects in development. Hear him talk about writing and the biz.

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Nineteen Years Ago, Thelma & Louise Drove Over A Cliff

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Nineteen years after Geena Davis and Susan Sarandon took their famous turn in a ’66 Thunderbird convertible, screenwriter Callie Khouri discusses her Oscar winning screenplay for “Thelma & Louis” with Sallie King of the Los Angeles Times. Discussing the ending, she says:

People either thought it was an uplifting ending or they thought they committed suicide at the end. It kind of depends on how they see it.

Uhm? If it isn’t suicide, what is it?

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Seems Everyone’s Doing It

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Here’s a new way to become a screenwriter. First, become a famous celebrity (or the celebrity’s kid), then write a screenplay, just like Angeline Jolie, Michelle Rodriguez, or Elizabeth Hurley’s 8 year old kid.

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What Does Paul Haggis Know?

Know your screenwriters. Paul Haggis is an interesting and complex character; he is a screenwriter. His credits span from Walker, Texas Ranger to the Oscar nominated screenplay for Million Dollar Baby to the Oscar winning screenplay for Crash. He was a writer on Casino Royale, the first James Bond reboot, and its follow up Quantum of Solace. He is one of the few important Hollywood figures to publicly renounce Scientology. You can read his interesting bio here, and/or listen to him discuss screenwriting in this interview….

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How To Know If Your Script Is A Blockbuster

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Jehoshua Eliashberg, Sam K. Hui, and John Zhang of the Wharton School of Economics have come up with a formula to analyze return based upon the screenplay. You can read about it here at NPR.org and even download the original paper.

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LONELY WRITERS. . . . (Classic Post)

Squirreled away in your apartment, typing all night, sleeping all day. Go out once in a while to stock up on groceries, then back to the grind. You are creating genius work. You are the stoic writer, alone in your world of insight and creativity. Who needs friends? When you are done, your work will shine above all others.

In your dreams….

In the real world, successful writers are part of a community. They meet other writers, develop support networks to help them through the struggle that is each screenplay, maintain healthy relationships to provide balance and perspective on their work. As their careers begin to develop, they befriend development execs and other professionals. In short, they are part of the world of writers.

Why?

Because you can’t create a writing career in a vacuum.

Even in the writing process, professional writers rely on substantial support networks they have developed over the years – trusted friends with whom they can discuss ideas, trusted readers to critique work as it is being developed, other trusted colleagues. This is a huge advantage over you, writing alone in your apartment.

Once the script is completed, these same writers have still more people to rely on – fans they have made around town, executives they have befriended, producers, managers, agents, and on and on. Another huge advantage they have over you.

They also live in the real world – friends to hang out with, interests outside writing, some writers even have spouses and children – yes, just like real people. Yet another advantage over you.

Developing a community that supports you as a writer is not just a lifestyle choice. It is necessary to the work. It makes you a stronger writer, substantially increases the chance of any script you write actually meeting the needs of the motion picture industry, and helps you through the many low points every writer faces.

To develop your own network, you must reach out, hold yourself out openly as a writer, celebrate your chosen path, and draw to you people who support that part of who you are. You must align your universe to your goal of advancing your writing career. Nothing less will get you there.

It can take a long time to develop your network. But it doesn’t happen alone, in your apartment, with a bag of groceries rotting on the counter, while you create genius inside your head. Tomorrow, why not write in the coffee shop? And take a break to introduce yourself to the person writing on the laptop next to you.

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MASSIVE BLOODLETTING (Classic Post)

Once in a great while, the curtain is drawn back and the insides are splayed open for all to see. The Artful Writer does it on a regular basis. If you want to know what first-tier writers who have everything they ever dreamed of argue about, and how brutal they can be, check this out….

P.S. Reserve a half hour and read the whole thing. It’s worth it.

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