Category Archives: The Business

To Pitch Or Not To Pitch

That is the question. Whether ’tis nobler in the mind to write the whole damned script or to spill it in the outline/treatment/secretly already written stage and sell it on the pitch. The Hollywood Reporter thinks it has an answer.

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Why You Should Change Your Name To Sheldon

Sheldon Turner plays hard at being a screenwriter, and it shows. He is credited with the recent “Up In The Air” (a terrific script) and, according to IMDB, has more than a dozen projects in development. Hear him talk about … Continue reading

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Nineteen Years Ago, Thelma & Louise Drove Over A Cliff

Nineteen years after Geena Davis and Susan Sarandon took their famous turn in a ’66 Thunderbird convertible, screenwriter Callie Khouri discusses her Oscar winning screenplay for “Thelma & Louis” with Sallie King of the Los Angeles Times. Discussing the ending, … Continue reading

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Seems Everyone’s Doing It

Here’s a new way to become a screenwriter. First, become a famous celebrity (or the celebrity’s kid), then write a screenplay, just like Angeline Jolie, Michelle Rodriguez, or Elizabeth Hurley’s 8 year old kid.

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How To Know If Your Script Is A Blockbuster

Jehoshua Eliashberg, Sam K. Hui, and John Zhang of the Wharton School of Economics have come up with a formula to analyze return based upon the screenplay. You can read about it here at NPR.org and even download the original … Continue reading

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